Creative mode of only criticizing phenomena, goes deeper into the causes behind the phenomena, presents more profound structural factors, and depicts the future destiny of Hong Kong in advance. On the other hand, although "Hong Kong Crime and Punishment" presents social structural factors in an ironic way, and like Hou Junming's previous "Blissful Repentance" and "Sou Shen Ji", it appropriates the expressions of traditional folk culture to target modern times. Social issues, but by no means joking for the sake of joking, but thinking deeply.
Before creating "Hong Kong Crime and telemarketing list Punishment", Hou Junming drew a series of "Hell Maps" drawings, substituting Taiwan's social chaos and various issues into the hell map. Although the expression of this creative concept and sketch has a strong realistic and ironic effect, it is still limited to the presentation of the phenomenon. Therefore, "Hong Kong Crime and Punishment" draws on the previous creative experience, traces the cause from the phenomenon, and explores the The cause of the "sin" of.
Hong Kong people, and try to remind them to have "resident consciousness", that is, to have their own subjectivity, so as not to become the object of others' domination. Of course, "Hell Map" is by no means an unsuccessful creative attempt, and some of the images have also been transformed and used in "Hong Kong Crime and Punishment". A work of art needs to be exposed and criticized by the phenomenon, and then traced to the social structural factors behind it, in order to be more universal and stand the test of the times.